J.K. Rowling: I Had No Intention of Killing Lupin

How about some emotional childhood trauma for your morning? The upcoming Harry Potter and the Deathly Hallows Part 2 dvd boasts an in depth interview between Daniel Radcliffe and J.K. Rowling. Among the tidbits getting released, the latest has Jo revealing she never intended to kill Lupin. Lupin’s death just as his son was born was one of the more painful deaths in the books, at least for me. Nothing can top Fred though.

Read what she has to say and why she changed her mind:

EW:

Rowling reveals that from the start, she always knew that the final chapters of the last novel would include these beats: That Harry would walk willingly to his death; that he would be joined by the spirits of his parents and other loved ones during that death march; and that Hagrid would carry Harry’s (apparently) lifeless body out of The Forbidden Forest. Rowling tells Radcliffe that the image of Hagrid cradling “dead” Harry — a bookend to the beginning of the series, when Hagrid brought infant Harry to the Dursleys – stuck with her the entire time she wrote the books and she never let it go. If she had, Rowling says Hagrid would have been a “natural” target for elimination. “That image kept him safe,” she says.

Rowling also reveals that in her original “sketch” (her word) of the series climax, one of the most beloved characters in the Potter canon survived: Remus Lupin — tragic werewolf, former Defense Against The Dark Arts professor, and husband to the metamorphmagus and auror, Nymphadora Tonks. (Gotta love the wordplay and names.) The seventh book tells us that before their deaths during the Battle of Hogwarts, Lupin and Tonks had a child. On the DVD, Rowling shares with Radcliffe that when she created Lupin’s character, she planned for him to survive the finale. While the author has said as much in other interviews, here, she elaborates, explaining that she changed her mind when she realized that her last Harry Potter story was really about war, and that “one of the most horrifying things about war is how it leaves children fatherless and motherless.” The most powerful way she could dramatize that idea, she says, was to kill a set of parents that were dear to readers. “I had no intention of killing [Lupin],” says Rowling. “But then it dawned on me he had to die.”